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Entrance to the Beni Hassan Caves - for an interior with a unique explorer's perspective - David Roberts, Egypt and Nubia 1838

Entrance to the Beni Hassan Caves - for an interior with a unique explorer's perspective - David Roberts, Egypt and Nubia 1838

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Color lithograph: Entrance to the Beni Hassan caves

This exceptional engraving of the entrance to the Beni Hassan caves is a true treasure trove for lovers of history and ancient architecture. It captures the very essence of ancient Egypt, offering a fascinating insight into the possible origins of the Greek Doric order. For discerning collectors, this work is much more than mere decoration; it is a window into the past, revealing architectural secrets dating back over 3,500 years.

The true appeal of this print lies in what it evokes: the wall paintings inside caves, true testaments to the daily life of the ancient Egyptians. By acquiring this piece, you invite a whole section of history into your home, from artisans at work to hunting scenes, games, and rituals. It's an excellent starting point for a fascinating conversation, ideal for impressing your guests or enriching a historical art collection. A must-have acquisition for any lover of Egyptology or ancient art wishing to add a touch of authenticity and mystery to their home.

Reproduction of an engraving of a drawing by David Roberts (1796-1864) made during his three-month journey from Alexandria to the temple of Abu Simbel in Nubia, a journey of more than fifteen hundred kilometers.

His drawings were already the subject of considerable success during his lifetime, in particular those published between 1846 and 1849 in the form of three volumes, published in London by FG Moon and entitled Egypt and Nubia, made from the drawings and sketches made during this trip to the banks of the Nile during the winter of 1838-1839, and lithographed by Louis Haghe.

About this print

The layout and composition of this reproduction have been the subject of our greatest attention.

  • Respect for the format of the original work: in order to faithfully transcribe the artist's intention, the work is not cropped/re-cut except in extreme cases (obvious imperfection, geometry problem, etc.) in which case the cropping will be as light as possible.
  • The presence of white margins is sometimes necessary in order to present the work in a balanced manner.
  • Each size offered has been specifically composed, therefore, the size of the white margins may vary from one print size to another. Remember to check this detail carefully!
  • Print only, frame not included!

Features

  • Premium 200gsm matte white paper, durable and strong.
  • Natural, smooth uncoated finish, silky to the touch
  • FSC certified paper or equivalent certifications depending on regional availability.
  • Each print is shipped in sturdy packaging, ensuring safe transport.
  • Each print is printed and shipped on demand. No minimum order quantity is required.
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