Entrance to the Temple of Amun at Gourna, Thebes - perfect for enriching a space with ancient accents - David Roberts, Egypt and Nubia 1838
Entrance to the Temple of Amun at Gourna, Thebes - perfect for enriching a space with ancient accents - David Roberts, Egypt and Nubia 1838
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Color lithograph: Group at the entrance to the temple of Amun at Gourna, Thebes
Discover this captivating engraving of the Temple of Amun at Goorna, Thebes, depicting a typical group of Turco-Egyptians. In the foreground, an officer of the Pasha, visiting to collect tribute or listen to complaints, is surrounded by the village sheik and his assistants. This scene reveals the practices of the time, when judicial decisions were often influenced by bribes, illustrating the abuse of the Egyptian judicial system.
This print, ideal for lovers of Egyptian history and culture, also captures more picturesque and charming moments of daily life. Figures in traditional dress, including a veiled Arab woman and children dressed in different social classes, add a touch of authenticity and color. Although the ruins of the Temple of Amun are modest compared to the majestic temples of Karnak and Luxor, they remain a site of interest for archaeology enthusiasts. This work offers a fascinating window into local customs and ancient architecture, enriching your space with a historical and cultural note.
Reproduction of an engraving of a drawing by David Roberts (1796-1864) made during his three-month journey from Alexandria to the temple of Abu Simbel in Nubia, a journey of more than fifteen hundred kilometers.
His drawings were already the subject of considerable success during his lifetime, in particular those published between 1846 and 1849 in the form of three volumes, published in London by FG Moon and entitled Egypt and Nubia, made from the drawings and sketches made during this trip to the banks of the Nile during the winter of 1838-1839, and lithographed by Louis Haghe.
About this print
About this print
The layout and composition of this reproduction have been the subject of our greatest attention.
- Respect for the format of the original work: in order to faithfully transcribe the artist's intention, the work is not cropped/re-cut except in extreme cases (obvious imperfection, geometry problem, etc.) in which case the cropping will be as light as possible.
- The presence of white margins is sometimes necessary in order to present the work in a balanced manner.
- Each size offered has been specifically composed, therefore, the size of the white margins may vary from one print size to another. Remember to check this detail carefully!
- Print only, frame not included!
Features
Features
- Premium 200gsm matte white paper, durable and strong.
- Natural, smooth uncoated finish, silky to the touch
- FSC certified paper or equivalent certifications depending on regional availability.
- Each print is shipped in sturdy packaging, ensuring safe transport.
- Each print is printed and shipped on demand. No minimum order quantity is required.
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