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Facade of the Great Temple of Abu Simbel - a touch of mystery and history for your decoration - David Roberts, Egypt and Nubia 1838

Facade of the Great Temple of Abu Simbel - a touch of mystery and history for your decoration - David Roberts, Egypt and Nubia 1838

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Color lithograph: Facade of the great temple of Abu Simbel

This spectacular engraving of the façade of the Great Temple of Abu Simbel is a must-see masterpiece for lovers of art and ancient history. It captures with remarkable precision the monumental grandeur of this temple carved into the living rock, offering a striking view of the four colossi of Ramses II guarding the entrance. For discerning collectors, this work is much more than mere decoration; it is a gateway to one of the most impressive sites in ancient Egypt.

The engraving reveals fascinating details, from hieroglyphs to delicate reliefs and the monkey frieze at the top. It evokes the exciting story of the temple's rediscovery, from Burckhardt to Belzoni, adding a dimension of adventure to this already exceptional piece. By acquiring this work, you invite the majesty of Pharaonic Egypt into your home, creating a captivating focal point for your interior. It is an ideal conversation piece, capable of transporting your guests through time and space, to the heart of ancient Nubia. A must-have for any Egyptology or ancient art enthusiast looking to add a touch of mystery and grandeur to their collection.

Reproduction of an engraving of a drawing by David Roberts (1796-1864) made during his three-month journey from Alexandria to the temple of Abu Simbel in Nubia, a journey of more than fifteen hundred kilometers.

His drawings were already the subject of considerable success during his lifetime, in particular those published between 1846 and 1849 in the form of three volumes, published in London by FG Moon and entitled Egypt and Nubia, made from the drawings and sketches made during this trip to the banks of the Nile during the winter of 1838-1839, and lithographed by Louis Haghe.

About this print

The layout and composition of this reproduction have been the subject of our greatest attention.

  • Respect for the format of the original work: in order to faithfully transcribe the artist's intention, the work is not cropped/re-cut except in extreme cases (obvious imperfection, geometry problem, etc.) in which case the cropping will be as light as possible.
  • The presence of white margins is sometimes necessary in order to present the work in a balanced manner.
  • Each size offered has been specifically composed, therefore, the size of the white margins may vary from one print size to another. Remember to check this detail carefully!
  • Print only, frame not included!

Features

  • Premium 200gsm matte white paper, durable and strong.
  • Natural, smooth uncoated finish, silky to the touch
  • FSC certified paper or equivalent certifications depending on regional availability.
  • Each print is shipped in sturdy packaging, ensuring safe transport.
  • Each print is printed and shipped on demand. No minimum order quantity is required.
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