General view of Kalabsha, formerly Talmis - for an interior with a unique explorer's eye - David Roberts, Egypt and Nubia 1838
General view of Kalabsha, formerly Talmis - for an interior with a unique explorer's eye - David Roberts, Egypt and Nubia 1838
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Color lithograph: General view of Kalabsha, formerly Talmis, Nubia
Discover the majesty of the Temple of Kalabshee, formerly Talmis, in Nubia, with this David Roberts reproduction that captures the imposing overview of this monumental building. Rising above the Nile, the temple is distinguished by its grandiose terraces, majestic steps, and dramatic mountain backdrop. The lush palm trees and mud houses of the local village add to the picturesque charm of this historic scene.
Begun during the reign of Augustus and completed by several successive emperors, the temple remains unfinished but retains its imposing grandeur. The design reveals not only the architectural splendor of the site, but also the historical significance of the region, with ancient inscriptions and captivating sculptures. Perfect for history buffs and those passionate about ancient civilizations, this work will bring a touch of elegance and mystery to any space, while echoing the fascinating heritage of Nubia.
Reproduction of an engraving of a drawing by David Roberts (1796-1864) made during his three-month journey from Alexandria to the temple of Abu Simbel in Nubia, a journey of more than fifteen hundred kilometers.
His drawings were already the subject of considerable success during his lifetime, in particular those published between 1846 and 1849 in the form of three volumes, published in London by FG Moon and entitled Egypt and Nubia, made from the drawings and sketches made during this trip to the banks of the Nile during the winter of 1838-1839, and lithographed by Louis Haghe.
About this print
About this print
The layout and composition of this reproduction have been the subject of our greatest attention.
- Respect for the format of the original work: in order to faithfully transcribe the artist's intention, the work is not cropped/re-cut except in extreme cases (obvious imperfection, geometry problem, etc.) in which case the cropping will be as light as possible.
- The presence of white margins is sometimes necessary in order to present the work in a balanced manner.
- Each size offered has been specifically composed, therefore, the size of the white margins may vary from one print size to another. Remember to check this detail carefully!
- Print only, frame not included!
Features
Features
- Premium 200gsm matte white paper, durable and strong.
- Natural, smooth uncoated finish, silky to the touch
- FSC certified paper or equivalent certifications depending on regional availability.
- Each print is shipped in sturdy packaging, ensuring safe transport.
- Each print is printed and shipped on demand. No minimum order quantity is required.
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