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Part of the ruins of a temple on the island of Biggeh - ideal for a refined and historical decoration - David Roberts, Egypt and Nubia 1838

Part of the ruins of a temple on the island of Biggeh - ideal for a refined and historical decoration - David Roberts, Egypt and Nubia 1838

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Color lithograph: Part of the ruins of a temple on the island of Biggeh, Nubia

Discover the majesty of the ruins of the Bigge Island Temple in Nubia, an impressive site overlooking the island of Philae and the Nile. This engraving reveals the monumental columns, typical of the Ptolemaic period, which once formed the temple's grand entrance. Portico elements and the flanking towers of the ancient propylon attest to the historical significance of this site.

The temple, dedicated to Athor and completed during the reign of the Caesars, is an architectural feat despite later additions such as the Christian arch, which contrast with the original Egyptian architecture. This engraving will bring a touch of ancient elegance to your space, offering a captivating glimpse into a bygone era and enriching your interior design with a piece of Nubian history.

Reproduction of an engraving of a drawing by David Roberts (1796-1864) made during his three-month journey from Alexandria to the temple of Abu Simbel in Nubia, a journey of more than fifteen hundred kilometers.

His drawings were already the subject of considerable success during his lifetime, in particular those published between 1846 and 1849 in the form of three volumes, published in London by FG Moon and entitled Egypt and Nubia, made from the drawings and sketches made during this trip to the banks of the Nile during the winter of 1838-1839, and lithographed by Louis Haghe.

About this print

The layout and composition of this reproduction have been the subject of our greatest attention.

  • Respect for the format of the original work: in order to faithfully transcribe the artist's intention, the work is not cropped/re-cut except in extreme cases (obvious imperfection, geometry problem, etc.) in which case the cropping will be as light as possible.
  • The presence of white margins is sometimes necessary in order to present the work in a balanced manner.
  • Each size offered has been specifically composed, therefore, the size of the white margins may vary from one print size to another. Remember to check this detail carefully!
  • Print only, frame not included!

Features

  • Premium 200gsm matte white paper, durable and strong.
  • Natural, smooth uncoated finish, silky to the touch
  • FSC certified paper or equivalent certifications depending on regional availability.
  • Each print is shipped in sturdy packaging, ensuring safe transport.
  • Each print is printed and shipped on demand. No minimum order quantity is required.
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