Ruins of the Temple of Kom Ombo, Upper Egypt - ideal for refined and historical decoration - David Roberts, Egypt and Nubia 1838
Ruins of the Temple of Kom Ombo, Upper Egypt - ideal for refined and historical decoration - David Roberts, Egypt and Nubia 1838
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Color lithograph: Ruins of the Temple of Kom Ombo, Upper Egypt
Discover the magnificent ruins of the Temple of Kom-Ombo in Upper Egypt with this captivating etching by David Roberts. Situated on a promontory east of the Nile, this temple stands majestically above the river, offering spectacular views from the banks. Although partially buried by desert sands, the imposing remains of this temple bear witness to its former grandeur and add a touch of majestic desolation to this historic scene.
The temple of Kom-Ombo is unique for its west-facing façade and its dual dedication to the deities Aroeris Apollo and Savak. The majestic columns, hieroglyphic inscriptions, and symbolic representations of deities on the friezes and cornices add to the authenticity and historical richness of this engraving.
Ideal for lovers of Egyptian history and art, this work offers a fascinating insight into ancient architecture and religious practices of the time. Add this print to your collection to enrich your space with a touch of ancient Egypt, capturing the essence of one of the Nile Valley's most iconic temples.
Reproduction of an engraving of a drawing by David Roberts (1796-1864) made during his three-month journey from Alexandria to the temple of Abu Simbel in Nubia, a journey of more than fifteen hundred kilometers.
His drawings were already the subject of considerable success during his lifetime, in particular those published between 1846 and 1849 in the form of three volumes, published in London by FG Moon and entitled Egypt and Nubia, made from the drawings and sketches made during this trip to the banks of the Nile during the winter of 1838-1839, and lithographed by Louis Haghe.
About this print
About this print
The layout and composition of this reproduction have been the subject of our greatest attention.
- Respect for the format of the original work: in order to faithfully transcribe the artist's intention, the work is not cropped/re-cut except in extreme cases (obvious imperfection, geometry problem, etc.) in which case the cropping will be as light as possible.
- The presence of white margins is sometimes necessary in order to present the work in a balanced manner.
- Each size offered has been specifically composed, therefore, the size of the white margins may vary from one print size to another. Remember to check this detail carefully!
- Print only, frame not included!
Features
Features
- Premium 200gsm matte white paper, durable and strong.
- Natural, smooth uncoated finish, silky to the touch
- FSC certified paper or equivalent certifications depending on regional availability.
- Each print is shipped in sturdy packaging, ensuring safe transport.
- Each print is printed and shipped on demand. No minimum order quantity is required.
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